The Invasion of the Poddy Snatchers

I speak for all mediocrities in the world. I am their champion. I am their patron saint.
 
In this episode, we dive into Amadeus (1984), Miloš Forman’s Oscar-winning masterpiece that explores the rivalry between the brilliant Wolfgang Amadeus Mozart and the envious Antonio Salieri. From the dazzling performances by Tom Hulce and F. Murray Abraham to the film’s lush cinematography and unforgettable soundtrack, we discuss how Amadeus blurs the line between historical drama and high art.

We didn't need dialogue. We had faces!
 
Join us on this episode as we dive into the iconic world of Sunset Boulevard! This 1950 film noir classic directed by Billy Wilder still leaves us in awe with its haunting story, unforgettable characters, and timeless themes. We break down exactly why we loved this film, from Gloria Swanson's "exceptional" performance as Norma Desmond to the unforgettable line, "All right, Mr. DeMille, I'm ready for my close-up." We explore the film's portrayal of Hollywood, ambition, and the darker side of fame—and why it still resonates today.

I am tasting my favorite new perfume - success!
 
In this episode, we're watching The Sweet Smell of Success (1957) starring Burt Lancaster and Tony Curtis. This is a film that critics love but it died at the box office on its release. We try to work out why...
 
We also tried out new recording equipment...not too sure if it works!

I do wish we could chat longer, but... I'm having an old friend for dinner.
 
We both loved this horror-thriller when it first came out in the '90's, but has it aged like a fine Chianti?

I've got some news for you, Johnny. I'm going to do exactly what I please, when I please.We've spent a brilliant week at the Cinema Rediscovered festival at the the Watershed in Bristol. One of the films we watched was this restoration of Charles Vidor's film-noir, starring Rita Hayworth and Glenn Ford. What is it about this film that makes it so striking?

In this episode we have opinions about film directors, and chat about the styles of film-making we both enjoy.If you'd like to suggest any films foe us to watch (especially Indian or African films, as we know absolutelynothing about these) please leave a comment.

You're a big man, but you're in bad shape...
This time we've watched Get Carter (1971) starring Michael Caine in one his iconic roles. Directed by Mike Hodges we try to decide if this film deserves it's reputation as a one of the best British films of the 70's.

Would you like me to tell you the little story of right-hand/left-hand? The story of good and evil?
This time we've watched Charles Laughton's only film as a director, The Night of the Hunter (1955), starring Robert Mitchum. Famed as a horror movie with qualities of a Grimm fairy tale, does this film deserve its reputation as an masterpiece of expressionist allegorical film-making?

Ch’uis vraiment dégueulasse
In this episode, we watch À Bout de Souffle (1960). A keystone of the French New Wave, is it a masterpiece or a pretentious bore-fest. 

This is your receipt for your husband... and this is my receipt for your receipt
We've just watched Brazil (1985) at the Bristol Old Vic. This was part of the Bristol Slapstick Festival and there was a Q and A with the director, Terry Gilliam. We loved watching the film with other people, but has it stood the test of time?